Gender | Male |
---|---|
Weekday | Friday |
Date | April 22, 1921 |
Time | 6:30 p.m. |
Daylight Saving | No |
City | Havana, Havana, Cuba |
Geo-location | 23ºN7'58.87", |
Timezone | America/Havana |
City | Havana, Havana, Cuba |
---|---|
Timezone | America/Havana |
Time (America/Havana) | Apr. 22, 1921, 06:30:00 PM |
---|---|
Time (UTC) | Apr. 22, 1921, 11:59:36 PM |
Time (LMT) | Apr. 22, 1921, 06:30:04 PM |
Time (Julian) | 2422802.49972222 |
LMT Correction | -5.4922 Hrs |
Ayanmsha | True Chitra - 22º44'55.79" |
Cuban-born percussionist (mainly conga and bongo) who has backed several jazz acts since the 1950s. He was one of the first people to use the congas in jazz music. Early in his career, Camero recorded in his native Cuba with fellow jazz musician Machito. He moved to New York in 1952 and started recording with Dizzy Gillespie. During 1953-54, he was in the Billy Taylor Trio and in 1954 he performed and recorded with Stan Kenton. He also enjoyed success during the disco era of the 1970s, most notably with the Babatunde Olatunji-penned track "Jingo" from his Dancin' and Prancin' album, which he recorded for Salsoul Records in 1979. The album has also been acknowledged as an influence and precursor to house music, predating the emergence of the genre by over 5 years. Camero was honored with the National Endowment for the Arts Jazz Masters Award in 2008. Link to Wikipedia biography
S.No. | Event Type | Event Date | Event Description |
---|---|---|---|
1 |
Prize |
Jan. 1, 2008 |
Work : Prize 2008 (National Endowment for the Arts Jazz Masters Award) |
Task Name | Action/Status | |
---|---|---|
|
Astrological Calculations & Analysis
Processed |
|
|
AI-ML Optimized Prediction & Refinement
Processed |
Processed
Processed
Ready
Ready
Ready